Business

Recorded music business revenues hit $8.4bn within the US in H1 – however paid streaming account development slowed once more

MBW’s Stat Of The Week is a sequence wherein we spotlight an information level that deserves the eye of the worldwide music business. Stat Of the Week is supported by Cinq Music Group, a technology-driven document label, distribution, and rights administration firm.


The US recorded music business generated USD $8.4 billion in gross revenues within the first six months of 2023.

That’s the headline stat from the Recording Business Affiliation of America’s (RIAA) Mid-Yr 2023 Report, which, printed Monday (September 18), reveals that on a retail foundation, recorded music revenues within the US (cash spent on streaming subscriptions, in addition to bodily and digital music), grew 9.3% YoY.

On a wholesale foundation – i.e. the cash that makes its method again to document labels, distributors and finally artists – all the US recorded music business generated $5.3 billion in H1 2023 (see under).

In response to the RIAA knowledge, that was up by 8.3% YoY.

The report, which you’ll read in full here, reveals that streaming (together with paid subscriptions, ad-supported providers, digital and customised radio, social media platforms, digital health apps, and others) made the most important contribution to that total ‘retail’ income tally.

Within the first half of 2023, revenues from streaming providers grew 10.3% YoY, or by $600 million YoY, to $7 billion and accounted for 84% of whole recorded music revenues within the US.

In income phrases, the tempo of development in music streaming within the US accelerated versus the prior yr (H1 2022), when whole streaming revenues grew by $500 million YoY to $6.4 billion (see under).



Complete revenues generated from paid subscription providers grew 11% YoY to $5.5 billion in H1 2023, and accounted for practically two-thirds of whole revenues and greater than three-quarters of whole streaming revenues.

Revenues from ad-supported music streaming providers grew at a a lot slower price than subscription music streaming nevertheless: revenues from on-demand providers (equivalent to YouTube, the ad-supported model of Spotify, Facebook, and others) grew simply 0.6% YoY to $870 million in H1.



In response to the RIAA’s mid-year report, the quantity of paid subscriptions to on-demand music providers additionally grew, however the tempo of development was slower than in prior years.

The common variety of subscriptions by the primary six months of 2023 was 95.8 million, up 5.8 million YoY (in contrast with 90 million for H1 2022).

(In response to the RIAA, these subscription account figures exclude ‘limited-tier’ providers and rely multi-user plans as a single subscription.)

“The common variety of subscriptions by the primary six months of 2023 was 95.8 million, up 5.8 million YoY.”

As you possibly can see from the chart under, the deceleration of development in paid subscriptions in america is a part of a multi-year development.

  • In H1 2020 the variety of paid subscriptions to on-demand music providers grew by 14.4 million YoY to 72.6 million
  • In H1 2021, the variety of paid subscriptions grew by 9.4 million YoY to 82 million
  • In H1 2022, the variety of paid subscriptions grew by 8.0 million YoY to 90 million
  • And as talked about, in H1 2023, the variety of paid subscriptions grew by 5.8 million YoY to 95.8 million


Digging deeper into the numbers…

The acceleration in income generated from streaming in H1 versus the deceleration in development of the variety of paid subscriptions in H1 is probably going associated to cost will increase at main music streaming providers within the first half of the yr.

Apple Music upped its customary month-to-month subscription value in This fall final yr, whereas Amazon Music made an identical transfer in January.  Music streaming big Spotify increased the value of its flagship Premium subscription within the US to $10.99 in July.

The complete income influence of this value rise available in the market in H2 gained’t be clear till RIAA publishes its full-year report within the new yr.

“Whereas development in new subscriptions was slower in H1 2023 versus H1 2022, the subscription accounts that have been already energetic in H1 2023 have been paying extra.”

Whereas development in new subscriptions was slower in H1 2023 versus H1 2022, the subscription accounts that have been already energetic in H1 2023 have been paying extra.

Nonetheless, the multi-year development of slower development in new subscription accounts in america might point out that we’re inching nearer to streaming subscription saturation level on the planet’s largest recorded music market.

Which means recurring value will increase, as referred to as for by numerous music business leaders, will grow to be all of the extra vital within the coming years if this slowing subscription account development development continues.


Elsewhere in H1, revenues from bodily music codecs (together with vinyl LPs, CDs and different bodily codecs) reached $882 million within the US, up 5% YoY versus the prior yr.

Revenues from vinyl information grew 1% YoY or by $9.8 million, to $632.4 million, and accounted for 72% of bodily format revenues.

Regardless of the modest income improve within the vinyl phase, there have been truly fewer models of vinyl information bought in H1 2023 versus H1 2022 (23.4m vs 23.8m, respectively), which means that the value of vinyl can also be going up.

 “This report describes a thriving, rising music ecosystem that continues to succeed in new heights and form our tradition.”

Mitch Glazier, RIAA 

Commenting on the outcomes of the RIAA’s mid-year report, Chairman & CEO Mitch Glazier, stated: “This report describes a thriving, rising music ecosystem that continues to succeed in new heights and form our tradition.

Added Glazier: “And it displays the inventive human genius and arduous work of all of the artists, songwriters, labels, publishers, and providers who make the music occur and meet followers and audiences the place they’re in at this time’s forward-looking and modern music neighborhood.”



Cinq Music Group’s repertoire has won Grammy awards, dozens of Gold and Platinum RIAA certifications, and numerous No.1 chart positions on a variety of Billboard charts. Its repertoire includes heavyweights such as Bad Bunny, Janet Jackson, Daddy Yankee, T.I., Sean Kingston, Anuel, and hundreds more.

 Music Enterprise Worldwide


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