For many years, the spirit of indie horror has thrived at the power and creativity of first-time filmmakers, and that used to be definitely true of “Birth/Rebirth” in 2023. The primary property from director Laura Moss, this revisionist, female-centric pluck at the “Frankenstein” mythos approaches subject matters of motherhood, being pregnant, and human existence’s organic quandaries from a pristine, anxious viewpoint.
The movie stars theater and indie movie luminary Marin Eire as Dr. Rose Casper, an delinquent morgue technician who harbors a deep obsession with the idea that of reanimation and incessantly conducts experiments in her personal frame to additional her working out of the bounds between existence and dying. One month, Rose crosses paths with Celie Morales (Judy Reyes), a governess in her sanatorium’s maternity ward, when Celie’s five-year-old daughter Lila (A. J. Lister) dies abruptly and is left for Rose to post-mortem.
Due to the data she’s gathered, Rose is in a position to deliver Lila again to existence, however to deliver for her endmost experiment to stay a hit, she and Celie will have to band in combination to conserve monitor on Lila and thieve life-sustaining organic subject matter from the sanatorium’s maternity ward. Shot thru with queasy coldness and unexpected realism, the movie raises engrossing moral and philosophical questions era extra a compulsively watchable trek into the dim aspect of the human soul.