Previous to “In the Pale Moonlight,” Starfleet captains had most effective ever been squeaky blank. Positive, Kirk (William Shatner) had his extracurricular affairs with each lady he encountered and Picard (Patrick Stewart) can be a negligible chilly, however they had been each paragons of usefulness in step with Roddenberry’s sight. Sisko is in an overly other condition on “Deep Space Nine,” seeking to win an intergalactic conflict and offer protection to no longer most effective everybody on his dimension station however all the planet of Bajor, which is true then to Deep Range 9. The strain of continuous casualty experiences pushes him to behave in techniques he another way wouldn’t, even bribing Quark (Armin Shimerman) with the reliable steel latinum and alternative favors.
Underneath the cautious supervise of Roddenberry’s successor, Rick Berman, such ethical ambiguity used to be uncommon, however Moore credit having the ability to assemble “In the Pale Moonlight” how it used to be to Berman being busy with “Star Trek: Voyager,” pronouncing: “I think [‘Pale Moonlight’] did kind of slip between the cracks in terms of there being a lot of focus on Voyager.”
“In the Pale Moonlight” no longer most effective places Sisko within the place of falsifying knowledge and breaking an alien out of Klingon jail to assemble that knowledge, however he’s additionally concerned with the assassination of a Romulan dignitary via Garak’s movements. It’s some actually difficult subject material for “Trek” to take on, however that complexity could also be what makes it so admirable.