I grew up similar the Ashdown Woodland, the house of Winnie the Pooh, and I will be able to ascertain that the traditional forest is underneath assault via two cynical money grabs: one via the native council’s untouched parking charges similar the most efficient canine strolling routes, and the alternative via a ridiculous slasher movie known as “Winnie the Pooh: Blood and Honey,” which appropriates the a lot liked endure and turns him into Leatherface from “The Texas Chain Saw Massacre.”
Winnie the Pooh — or Honeyface, as you may name him — has grew to become from a diminutive endure right into a massive anthropomorphic beast. Pooh is ate up with vengeance, since Christopher Robin left for college, and when the naive younger guy returns, he should reckon with Pooh’s injury. In the meantime, a bunch of younger women test in to a close-by pleasure let, as a result of this film wishes a bodycount.
How did filmmaker Rhys Frake-Waterfield escape with this? Neatly, he saved an optical on A.A. Milne’s untouched 1926 magazine and waited for it to go into america folk area, which it did in January 2022. Next elevating simply $100,000, the movie was once shot over 10 days within the Ashdown Woodland and excepted in early 2023.
“Blood and Honey” can have been a little bit of a laugh, however the movie is so badly made that it quantities to tiny greater than a cynical industry project. The digicam thrashes round and fails to seize anything else the viewer may wish to see, particularly the kills, which can be frequently glimpsed at in a shadowy, chaotic blur for the reason that filmmakers have neither the manner nor the facility to turn what’s in fact going down. The discussion is woeful, the plotting is a large number, and the performances length from slightly competent to aggressively malicious.
Solid: Nikolai Leon, Craig David Dowsett, Maria Taylor, Natasha Rose Turbines, Amber Doig-Thorne
Director: Rhys Frake-Waterfield
Runtime: 84 mins
The place to look at: Peacock